Last edited by Kazragis
Thursday, July 30, 2020 | History

4 edition of An essay on thoroughbass. found in the catalog.

An essay on thoroughbass.

Georg Muffat

An essay on thoroughbass.

by Georg Muffat

  • 62 Want to read
  • 31 Currently reading

Published by American Institute of Musicology in [Rome] .
Written in English

    Subjects:
  • Continuo -- Early works to 1800

  • Edition Notes

    StatementEdited with an introd. by Hellmut Federhofer.
    GenreEarly works to 1800.
    SeriesAmerican Institute of Musicology. Musicological studies and documents,, 4, Musicological studies and documents ;, 4.
    ContributionsFederhofer, Hellmut, 1911- ed., American Institute of Musicology.
    Classifications
    LC ClassificationsMT49 .M95
    The Physical Object
    Pagination130 p.
    Number of Pages130
    ID Numbers
    Open LibraryOL5846336M
    LC Control Number62004831
    OCLC/WorldCa172030

    This essay explores the understanding of tonality and in particular the concept of chord, as demonstrated in the Italian thoroughbass tradition, especially in the didactic tradition of : Ludwig Holtmeier. Full text of "J.G. Albrechtsberger's collected writings on thorough-bass, harmony, and composition, ed. by I " See other formats.

    A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the full-text. Salzer and Jonas published an essay describing the contents of the Nachlass in Heft I of Der Dreiklang, which mentions important items in Salzer's possession, such as Schenker's study of thoroughbass and his commentary on C.P.E. Bach's Versuch über die wahre Art das Clavier zu spielen. Teaching career.

    Johann Sebastian Bach and George Frideric Handel were both Baroque composers who used the Italian and French styles that were the basic language of the study of Bach and Handel is interesting because of their marked similarities and subtle and Handel were of Saxon ancestry. Figured bass, also called thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.


Share this book
You might also like
Marine diesel engines.

Marine diesel engines.

The song of a dark angel

The song of a dark angel

Alone in an African swamp

Alone in an African swamp

Education, equity and income distribution

Education, equity and income distribution

Up from the mission

Up from the mission

Pages of books printed at the Shakespeare Head Press, St. Aldates, Oxford.

Pages of books printed at the Shakespeare Head Press, St. Aldates, Oxford.

For Women Only

For Women Only

Textbook of otolaryngology [by] David D. De Weese [and] William H. Saunders.

Textbook of otolaryngology [by] David D. De Weese [and] William H. Saunders.

Cantor lectures on alloys used for coinage

Cantor lectures on alloys used for coinage

The US Army Ordnance Center and School apprenticeship program for the trade of automobile body repairer and painter

The US Army Ordnance Center and School apprenticeship program for the trade of automobile body repairer and painter

Carl Plansky: Oil Paintings

Carl Plansky: Oil Paintings

Deerhurst above and below ground

Deerhurst above and below ground

A Study Of The Miracle Of Our Lady, Told By Chaucers Prioress

A Study Of The Miracle Of Our Lady, Told By Chaucers Prioress

Everybodys historic England

Everybodys historic England

An essay on thoroughbass by Georg Muffat Download PDF EPUB FB2

Genre/Form: Early works Early works to Ouvrages avant Additional Physical Format: Online version: Muffat, Georg, Essay on thoroughbass. An Essay on Thoroughbass [Georg Muffat, Hellmut Federhofer] on *FREE* shipping on qualifying offers. thoroughbass, improvisation, counterpoint, and rhetoric.

In doing so, Lester and Dreyfus strive to emancipate the analysis of complete movements from later nine-teenth-century formal models (the Formenlehren of A. Marx and others seem to take the biggest hit in both books), yet they both still seek generalizations about.

The page is a piece of paper. It is also a visible and tangible proportion, silently sounding the thoroughbass of the book. On it lies the textblock, which must answer to the page.

The two together — page and textblock — produce an antiphonal geometry. That geometry alone can bond the reader to the book. Reach for a book. Vincent Benitez is Professor of Music Theory and teaches undergraduate and graduate courses in music theory and analysis.

He holds a PhD in music theory from Indiana University, where he wrote his dissertation on Olivier Messiaen's opera Saint François d'Assise, and the DMA degree in organ performance from Arizona State University, where he wrote his doctoral thesis on the.

Congratulations to Vincent P. Benitez, whose essay entitled “Thoroughbass as Pedagogy in the Teaching of Improvisation in Undergraduate Music Theory Courses” was published in the recently released book titled Improvisation and Music Education: Beyond the Classroom (Routledge).

The book is edited by Ajay Heble and Mark Laver. For more information about this publication. The Art of Accompaniment from a Thorough-Bass: As Practiced in the XVII and XVIII Centuries, Volume II (Dover Books on Music) [F.

Arnold] on *FREE* shipping on qualifying offers. A solid grounding in musical techniques of the 17th and 18th centuries is essential to a complete understanding of Baroque music. As scholar Denis Author: F. Arnold. Let’s talk about margins.

Craig Mod. silently sounding the thoroughbass of the book. On it lies the textblock, which must answer to the page. The layout of this essay will change in time. An Introduction to Figured Bass by Derek Remes The tradition of using figured bass exercises, or partimenti, to teach harmony goes back to 16th century Italy.

Organists in the 16th century often accompanied polyphonic vocal music by playing the lowest sounding voice at any given time and filling in the upper voices Size: 2MB.

Get this from a library. The Work of Music Theory: Selected Essays. [Thomas Christensen] -- "This collection brings together an anthology of articles by Thomas Christensen, one of the leading historians of music theory active today.

Published over the span of. An extract from: William Mitchell, Introduction to Essay on the True Art of Playing Keyboard Instruments by CPE Bach. The German title of CPE Bach’s book is Versuch über die wahre Art das Clavier zu spielen and it was first published in two parts in and This work is often referred to as the Versuch.

My comments are in square brackets. This essay explores the understanding of tonality and in particular the concept of chord, as demonstrated in the Italian thoroughbass tradition, especially in the didactic tradition of a long time this tradition was entirely overlooked because of the dominance of the neo-Ramellian Harmonielehre tradition.

The differences are exemplified by comparing Cited by:   Antonio is the title character in Shakespeare’s The Merchant of is a middle-aged bachelor and merchant by trade who has his financial interests tied up in overseas shipments when the play begins.

He is kind, generous, honest and confident, and is loved and revered by all the Christians who know him. Synonyms for thoroughbass in Free Thesaurus. Antonyms for thoroughbass. 3 synonyms for thorough bass: basso continuo, continuo, figured bass. What are synonyms for thoroughbass.

Muffat, Regulae (/); Muffat, An Essay on Thoroughbass (). Muffat, Regulae (/), xvi. There is no doubt about the fact that composers in Salzburg produced instrumental and operatic music in a more modern style. Consequently, this kind of music must also have played a certain role in their by: 2.

In his autobiographical sketch Joseph Haydn claims to have learned the ‘true fundamentals of composition’ from Nicola Porpora. Porpora (–) was a student of Gaetano Greco at the Conservatorio dei Poveri in Naples and later himself became a maestro at the Conservatorio di San Onofrio, where Francesco Durante also by: 5.

Aside from his essay on organicism in the fugue, which deals with the C Minor fugue in WTC I, Schenker rarely ventured into contrapuntal genres.3 In fact, only a handful of fugal analyses exist in subsequent Schenkerian literature.4 It is ^See his Free Composition.

2 vols. Translated and edited by Ernst Oster. (New York: Longman, ), That, plus going to work on thoroughbass-playing skills, as CPE Bach stressed was fundamentally important.

One has to be able to improvise freely from thoroughbass, for real, before being ato recognize the elements of written-out music that resemble written-down improvisation, and then to re-create them to sound improvisatory.

This banner text can have markup. web; books; video; audio; software; images; Toggle navigation. It seems to me that the C.P.E Bach essay, as well as J.S. Bach's precepts and principles, are well known, but are a little difficult. There's also the Albrechtsberger book and a book that seems to be written by Mozart on the subject, though I don't know if.

Essay on the Origin of Languages and Writings Related to Music Jean Jacques Rousseau, John T. Scott, John T. Scott Published by Dartmouth College Press Rousseau, Jean Jacques, et al.

Essay on the Origin of Languages and Writings Related to Music. Trans. from the French ed. Dartmouth College Press, Cited by:   Even when C. P. E. Bach advocated thinning the texture for a lighter thoroughbass realization, he still conceived of this as a reduction in the number of contrapuntal or horizontal voices.

See Carl Philipp Emanuel Bach, Essay on the true art of playing keyboard instruments, trans. W. J. Mitchell (New York, ), pAuthor: Rebecca Cypess.Keyboard Perspectives: Yearbook of the Westfield Center for Historical Keyboard Studies, Volume 2. Westfield Center, - Keyboard instrument music. 0 Reviews.

From inside the book. What people are saying - Write a review. We haven't found any reviews in .